(1837 - 1867) was a Polish painter and graphic designer, one of the most prominent artists of the early 1800s despite his brief life. He was born in Eastern Galicia to an amateur artist of German background, Jan Jozef Grottger, and a Polish mother. Grottger studied painting under the apprenticeships of Jan Kanty Maszkowski and Juliusz Kossak in Lwew. Grottger received an imperial scholarship to attend the Krakow School of Fine Arts, where he studied under Władysław Łuszczkiewicz and Wojciech Kornel Stattler. Around this time he met one of his biggest future art patrons and benefactors, Aleksander Pappenheim. Grottger painted mostly epic battle scenes. He moved to Vienna in 1854, where he produced some of his most famous paintings. In 1865, Grottger returned to Poland and stayed in Krakew and Lwew, but left this time for good in 1866.   Related Paintings of Artur Grottger :. | Phryne | The Escape of Henry of Valois from Poland. | Phryne. | King Jan III Sobieski meets emperor Leopold I near Schwechat | Farewell to the insurgent |
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VELDE, Esaias van de
Dutch painter (b. ca. 1591, Amsterdam, d. 1630, Den Haag).
Gustave Le Gray
French Photographer, 1820-1884,French photographer, painter and teacher. He studied painting with Paul Delaroche until 1843. A study trip to Switzerland and Italy, financed by his parents, followed, but it was cut short by an untimely marriage in 1844, his sudden return to his family's home and the subsequent birth of two children in 1845 and 1846. Skilled in painting as an experimenter with pigments, he was attracted to the experimental side of the new paper negative processes available in France after 1847 and plunged into photography, probably to finance the burdens of the family life newly thrust upon him. His treatise, Trait? pratique de photographie sur papier et sur verre (1850), outlined his own variant of the dry waxed paper negative process using thinner paper, as well as a recipe for collodion on glass negatives rivalling that of the English inventor Frederick Scott Archer (see PHOTOGRAPHY,
Sir Thomas Lawrence
1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.